My work: Shadow play and projection of natural elements in college. Drawing inspiration from the works of photographer, Francesca Woodman.
My work: Nature, the mother of all art. Unexpected discoveries found on upstate walks at home.
My work: Crafting stories since 1994.
My work: Detail from my crane series, playing with texture and translucency in the overlay of mixed-media, a playful exploration of texture and transparency.
My inspo: Hidden surprises. A small thrill unfolds with each turn of the hand—anticipation yielding to delight, revealed one layer at a time.
My work: creating “Driftwood Islands” using only beach finds on an island in Maine. A favorite family past time (since childhood).
My work: Where ideas first hatch and come together.Built through a tactile mood-board process that layers reference, materiality, and form into a cohesive visual language.
My inspo: The treetop dwelling of Babar’s friend, Zephyr; a quiet celebration of family & belonging. (I’m) always returning to childhood favorites for inspiration.
My work: 2014 instillation created in grad school. Interactive exploration through projection of my drawings of interiors. Rooms nested within rooms. Shadow play through additional hanging artworks.
My work: 2014 instillation created in grad school. Interactive exploration through projection of my drawings of interiors. Rooms nested within rooms. Shadow play through additional hanging artworks.
My work: 2014 instillation created in grad school. Interactive exploration through projection of my drawings of interiors. Rooms nested within rooms. Shadow play through additional hanging artworks.
My work: Creation of the Air Freshner Clutch. Playdough, French Fry and other scents. Always maintain a sense of humor and play in life.
My inspo: Polly Pocket & Tamagotchis; the enchantment of little worlds that you can hold in the palm of your hand. Carry them with you.
My work: Draw what lingers.
My inspo: Old library cards and log books. Unfiltered evidence of people from the past led to the Inspiration behind our label.
My inspo: Old library cards and log books. Unfiltered evidence of people from the past led to the Inspiration behind our label.
My inspo: Mother nature's brush at work. Temporary artworks spotted wandering our family farm in upstate New York.
My inspo: Aunt Jeanette’s summer home on North Haven, Maine—a cabinet of curiosities, alive with memories.
My work: Drawing in the third dimension. Lobster, 2007. He moved like one too!
My inspo: Entry to my apartment. Magnets, ticket stubs and sketches. Scraps collected and collaged.
My inspo: “The past is consumed in the present the present is living only because it brings for the future .” pg.253, James Joyce. A story I revisit often for inspiration and understanding.
My inspo: Mira Shendel (at the) Tate Modern, 2012, artworks challenging the boundary between reading and viewing.
My inspo: Collected and curated moment in my home that pays homage to the Southwest
My inspo: My apprenticeship in Santa Fe, NM. Marble holds its own pre-existing story and wisdom—its fissures and fossilization shaped long before the hand arrives. Creating form is a collaboration; it is not a blank canvas.
My inspo: 70’s postcard illustrating my grandparents home on Stowe Mountain. Time in the mountains always creates perspective. They hold a special place in my heart.
My inspo: Clyfford Still, PH-1, 1953. Crackling flames of light. A color carries the eye beyond the border. White forms question the eye whether they reveal the canvas or sit on it’s surface.
My work: Fashion illustration for Ralph Lauren. Window display catalyzed my merger of fashion and fine art.
My inspo: Where’s Waldo? Interactive art for all ages. Looking, finding and the resulting delight.
My inspo: An incredibly formative book that was my mother’s, ultimately fed into my love of Red & Blue. A cherished family heirloom.
My inspo: Andrew Wyeth. The story unfolds in the details.
My inspo: In the Wyeth tradition, objects pass through three generations of artist’s work.
My inspo: In the Wyeth tradition, objects pass through three generations of artist’s work.
My inspo: In the Wyeth tradition, objects pass through three generations of artist’s work.
My work: “Practice Makes Perfect” c. 2018. Charcoal on chalkboard paint. Smeared writing creates a grid, recounting the rigidity of antiquated educational practices.
My work: “Practice Makes Perfect” c. 2018. Charcoal on chalkboard paint. Smeared writing creates a grid, recounting the rigidity of antiquated educational practices.
My work: Excerpt from a sketchbook. Mapping relationships allows the idea for an artwork to take shape.